Faixa
Luke Combs - Be By You
Um resumo direto para fÒ£s: posicao atual, dinamica e faixas relacionadas.
Visão geral do lançamento
Luke Combs - Be By You aparece em #6 no chart de faixa US. Entre 3 entradas ativas do artista, este lancamento e o mais forte no momento.
Lancado em n/a, o titulo circula no eixo Country. Ha um preview tocavel no Apple Music. A idade exata do lancamento nao esta disponivel.
Em 3 snapshots, o melhor ranking foi #5, o pior #13 e a media #8.0. O ultimo movimento foi caiu 1 posicao. A variacao total observada ate agora e 8.
Para quem acompanha o momento atual de Luke Combs, as faixas mais proximas agora sao The Way I Am, Sleepless in a Hotel Room. No conjunto atual de Country (8 lancamentos monitorados), este titulo disputa o meio ativo do chart.
A #6 rank looks simple on the surface, but what listeners usually want is the shape behind that number. Is it still climbing, leveling out, or cooling off after a peak? With 3 tracked days in this run, the timeline is still young, but it already gives a clean baseline for how this track is behaving.
Luke Combs has 3 active entries in the same chart window, and Be By You is setting the pace for that cluster. That artist-level view matters because fans rarely stop at one song; they usually move to the next closest title from the same cycle.
The age of the release is not available in the current metadata pull. New releases can spike on curiosity. Older songs that remain visible usually stay there because listeners keep replaying them, playlists keep supporting them, or the catalog keeps pulling people back.
That is why genre framing is useful here. In a Country set with 8 tracked releases, movement can be read against comparable songs rather than unrelated chart traffic. It keeps expectations realistic and makes the related links feel relevant instead of random.
The movement note is intentionally plain language. Flat means the audience is holding. Up means momentum is building. Down does not make the track irrelevant; it shows where demand is settling after a high point. Either way, the page stays useful because it describes what is happening now, not what we hope happens next.
If you are here to decide what to queue after this, the shortest path is usually the best one: stay inside this artist lane first, then step into the nearest genre neighbors. That keeps the listening session coherent and matches how people actually move through chart pages when they are in discovery mode.
If Be By You is your entry point, the cleanest next move is to stay in Luke Combs's current lane: jump next to The Way I Am, Sleepless in a Hotel Room. Those steps keep the mood intact while still showing range inside the same chart cycle.
That sequence also explains why this run feels sticky right now: one clear leader, multiple nearby titles, and enough replay behavior to keep the catalog active well past release week. If the next snapshots stay flat near the top, this starts looking less like a moment and more like a sustained phase.