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Peso Pluma & Tito Double P - DINASTÍA
í¬ì´ ë°⬝ë¡ ì´í⬢´í⬢ ì S ìž ë~ë¡ íS~재 ì ì ~, íë¦~, ë⬹¤ì ì¶⬝ì² ê³¡ì~ ê°~ê²°í⬢Sê² ì ⬢리í⬢©ë⬹ ë⬹¤.
릴리` Sa
Peso Pluma & Tito Double P - DINASTÍA ëŠ⬝ US ì⬢¨ë²⬝ 차트ì ì~ íS~재 #19 ìž⬦ë⬹ ë⬹¤. ì⬢~í⬹°ìŠ¤íŠ¸ìS ì¶⬝ì í⬢목 1ê° ì¤ì ì~ ì§ê¸ ê°ìž¥ ë⬠"ì ì ì ~ ìž⬦ë⬹ ë⬹¤.
ë° ë§¤ì¼ì 2025& 12: 25일ì´ë©° 장르ëŠ⬝ Latin ìž⬦ë⬹ ë⬹¤. Apple Musicì ì~ 미리ëS£ê¸° í´ë¦½ì~ 재ìí⬢ ì S ìž ìŠµë⬹ ë⬹¤. ë° ë§¤ 54ì¼ì´ ì§ëa¬ëŠ⬝ë°ë~ 차트ì ëa¨ì⬢~ ìž ì ´ 꾸ì¤í⬢ 재ì ì Sìš⬝를 ë³´ì ¬ì¤ë⬹ ë⬹¤.
6íš ì¶⬝ì ê¸°ì¤ ìµ ê³ ì ì ~ëŠ⬝ #9, ìµ ì ëŠ⬝ #19, í⬰ê· ì #14.3ìž⬦ë⬹ ë⬹¤. ìµ ê·¼ ì⬺ì§ìž~ì down 1 places ìž⬦ë⬹ ë⬹¤. íS~재ê¹ì§ í ⬢ì¸ë ì ì ~ ë³ë íì 10 ìž⬦ë⬹ ë⬹¤.
íS~재 ì¶⬝ì ì~¸íŠ¸ì ì~ Peso Pluma & Tito Double P í⬢목ì ì´ ê³¡ í⬢SëaSìž⬦ë⬹ ë⬹¤. íS~재 Latin ì~¸íŠ¸(11ê° ì¶⬝ì )ì ì~ ëŠ⬝ ì´ ê³¡ì´ ì¤ì ~ ê²½ìŸ êµ¬ê°~ì ìž ìŠµë⬹ ë⬹¤.
A #19 rank looks simple on the surface, but what listeners usually want is the shape behind that number. Is it still climbing, leveling out, or cooling off after a peak? With 6 tracked days in this run, the timeline is still young, but it already gives a clean baseline for how this track is behaving.
Peso Pluma & Tito Double P has 1 active entry in the same chart window, and DINASTÍA is setting the pace for that cluster. That artist-level view matters because fans rarely stop at one song; they usually move to the next closest title from the same cycle.
At 54 days old, this track is far enough from launch week to judge staying power. New releases can spike on curiosity. Older songs that remain visible usually stay there because listeners keep replaying them, playlists keep supporting them, or the catalog keeps pulling people back.
That is why genre framing is useful here. In a Latin set with 11 tracked releases, movement can be read against comparable songs rather than unrelated chart traffic. It keeps expectations realistic and makes the related links feel relevant instead of random.
The movement note is intentionally plain language. Flat means the audience is holding. Up means momentum is building. Down does not make the track irrelevant; it shows where demand is settling after a high point. Either way, the page stays useful because it describes what is happening now, not what we hope happens next.
If you are here to decide what to queue after this, the shortest path is usually the best one: stay inside this artist lane first, then step into the nearest genre neighbors. That keeps the listening session coherent and matches how people actually move through chart pages when they are in discovery mode.